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Tracks 24 and 25 are composed and played by Howard Blake on Hammond organ with rhythm section but not credited.
Composer's note: Main score for film composed by Gerard Schurmann, but I was commissioned to add instrumental sections derived from four notes from his score (in reels 3, 5, 6 and 9). How did this happen?
Phil Martell was musical director of Hammer music in 1968. He rang and explained that Gerard Schurmann had written a totally 'squeaky door' score, ie 12-tone non-melodic, which is what his 'stable' of serial composers were used for. But on this occasion there was a love interest in the film and GS was unable to provide anything suitable. Phil asked if I would visit GS in his Hampstead studio and examine the score with him for a possible tune that I could 'turn into something.' I went and did so. There was only one possible phrase in the whole huge score - the four notes b.c.a.b (in fact the same 4 notes that begin the standard 'Time on your hands'.) I said I could use these 4 notes and expand them into a theme for Hammond organ, bass and drums - Phil wanted that 'trendy' organ sound because he had introduced a song with organ and rhythm section backing. GS was very pleased to give me permission to use 'his' 4 notes and Phil was very pleased with what I both composed and played.