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'Blake's inspired work 'Benedictus' for chorus and orchestra filled the second half.The composer himself conducted with calm and restraint; One imaginative idea followed another in this largely penitential but also blazing cantata. The plangent opening viola solo set the pleading tone. Psalm 38 yielded drama galore: urgency in the strings ("Thy arrows pierce me. . ."); the aching central passage, akin to Psalm 22, which yields to growing optimism, harp in attendance, but finally crushed and mournful. The finishing touch of the viola solo was one of genius.' [from a review of St. Albans Cathedral Concert by Roderick Dunnett, Church Times Aug.2019]
'I recommend a disc from the Genuin label where Benedict Kloeckner plays the cello music of Howard Blake with the composer himself accompanying - unfailingly attractive and often tremendous fun for both performers and listeners.' [The Strad Feb. 2018]
*An English composer with a pronounced lyrical gift, In his latest album of works for cello and piano 'Diversions' the music is of a pronounced tonality but without anything in the way of a neo-classical glance at the past. The works hold their own as contemporary music with a pronounced Blakean signature affixed and the music is filled with inventive flourishes that evince a fertile creative mind at work. It is rousingly good music. It is not high modernist but it is thoroughly contemporary. It has a special quality to it that belongs very much to the musical personality of Howard Blake.[Gapplegate Review USA 20i5]
*Howard Blake joins up with Benedict Kloeckner the rising star of the cello world to present a programme of his own compositions. When Kloeckner won the New Talent Competition of the European Broadcasting Union in 2010 with Blake’s suite ‘Diversions’, the composer presented him with the Cello Sonata and the opportunity of being first to perform it. This led to the two musicians joining up in a close working relationship which has produced a wonderful-sounding album in which the rhythmic finesse of film music and elements of jazz combine to delight the ear. [Das Orchester Germany 2015.]
*"It may seem perverse to put the words 'snowman' and 'genius' into the same sentence, but the inspired range of delights in this dance adaptation of Raymond Briggs's book deserves no less an accolade" [Time Out UK 2015]
*'Howard Blake's music for the 1977 film 'The Duellists', the first feature film directed by Ridley Scott, is one of the great modern romantic film scores.' ['Overtones and undertones'- Royal S. Brown USC]
* 'Blake has a seemingly endless gift for melody and beauty.' [Jonathan Woolf UK web review 2015]
*'Like William Walton, William Alwyn and other masterful British composers from the concert world, Blake has left his mark on the British cinema by providing superb scores for some fine movies, but all of his many musical works, both for the screen and elsewhere, are somewhat eclipsed by his score for 'The Snowman'. The contagious six-note phrase in the 'Walking in the Air' theme (and song) is one of those rare pieces of music that needs to be heard only once and it is never forgotten. The hymn-like theme is both reverent and spirited, gleeful and bittersweet. Blake is not embarassed that of his hundreds of works his most beloved music is that for an animated short. How can one not be proud of this twenty-six minutes of pure musical joy?' [The Encyclopaedia of Film Composers USA 2015]
* 'The Clarinet Concerto in particular shows Blake as a truly great composer.' [Christopher Hathaway, News for Houston. USA 2013]
*The Piano Music of Howard Blake (Decca) is the first recording Vladimir Ashkenazy has made of music by a living British composer, a remarkable fact in itself, made more so by the choice of composer. Howard Blake belongs to that rare breed of modern composers whose music has 'crossed-over' as the saying has it, to the consciousness of the general public, through the world-wide success of the song 'Walking in the Air' from the film 'The Snowman'. The film was a colossal success and it must be said that the main ingredient of that was Howard Blake's music.' [Robert Matthew Walker - Musical Opinion UK 2013 ]
*Unlike most new works, whose fate is to be played on multiple occasions ad nauseam at a competition and then shelved for eternity, Howard Blake's newly- commissoned work 'Speech after long silence' promises to be heard rather often. Blake’s partiality for tonality and emotional connection makes this a most accessible work. Magnificent performances of Blake and Rachmaninov from Giuseppe Andaloro.'
[Chang Tou Lang, Hong Kong 3rd International piano competition 2011]
* I would prefer our children to see this film (The Snowman) and listen to this music. The lyrics, the music and this boy's voice come from somewhere magical. Every now and again, man creates something that is worthy of ringing through eternity. [Tin Cup review USA 2014]
* What is almost unheard of is for a composer deliberately to abandon a flourishing career in media-music in order to devote himself exclusively to his 'own' or 'real' music. Yet this is what Howard Blake has done. What is even more unusual is that far from disowning his alter ego, the kind of musician he was and the kind of music he produced for the first 10 years of his professional life, he has found in them the mainspring of a remarkable personal renaissance. Much of the raw material of his most significant works -the Toccata for Orchestra and the Piano Concerto- derives from this source, but so refined, processed, enhanced, sublimated, as to be scarcely recognisable. The end product has a deceptive simplicity not unlike that of of Mozart. I mention Mozart advisedly since the classical qualities implicit in scores like The Snowman and the Diversions for Cello and Orchestra are on full frontal display. There is a child-like exuberance and spirit of delight, but a shrewd supervisory intelligence plots every move and never allows the plain, ordinary, even commonplace musical language it speaks ever to to sound plain, ordinary or commonplace.' [Christopher Palmer, Philharmonia Orchestra programme-note UK 1991 ]
Highbridge Music Ltd was incorporated in 1983 and is a music publishing company which exclusively publishes the works of English composer Howard Blake.
It takes its name from Highbridge Mill near Cuckfield in Sussex, a converted watermill dating from 1810 which was the composer’s home from 1971 to 1981 and a source of inspiration for many of his musical works.
He has written music for more than 50 years and during that time employed various publishers to administer his catalogue. On July 14th 2004 however he gathered in a large part of his catalogue and reorganised Highbridge Music to provide a hands-on service to those who wish to hire or buy his music.
The new 2006 website was created from a comprehensive database of his entire varied output, which amounts to over 650 opus numbers. His works can be browsed by category, viewed as a chronological list or searched using the search box at the top of every page, whilst certain works are available as sheet music for download.
(Howard Blake and Highbridge Music Ltd are members of PRS for music, (MCPS-PRS Alliance), PPL and MPA.)