All God's Creatures

2013 op. 651 Vocal

Song-cycle for children's voices, SATB chorus and orchestra, with optional film projection

Published by
Highbridge Music Ltd
Buy Sheet Music
Duration
27mins
Instrumentation
Children's voices, SATB chorus and orchestra (with optional projected film )2(I+II=picc).2.2(II=Ebcl).2 - 2221 - timp - perc(2): tgl/large susp.cym/tam-t/SD/conga/(wind machine)/ratchet/t.bells/2 anvil/cyms/thunder sheet/tamb/BD/whip/glsp/mar/bell tree - pno(=cel) - organ - harp - strings

All God’s Creatures’

A song-cycle with film

for children’s voices and orchestra

Originally performed in 1995 by The Guildford Philharmonic Orchestra with massed children’s chorus, it was ten years later, after further performances including one in the Royal Albert Hall, that composer Howard Blake decided to venture into the making of a film to accompany the work.

 

The texts used are:

A Robin Redbreast in a Cage (William Blake)

The Tiger (William Blake)

The Lamb (William Blake)

The Owl (Alfred Lord Tennyson)

The Snail (John Bunyan)

Rats (Robert Browning)

The Swan (anon)

Leviathan (The Book of Job)

The Crocodile (Lewis Carroll)

The Swallow (Christina Rossetti)

The Oxen (Thomas Hardy)

Hurt no living thing (Christina Rossetti)

 

Composer’s note:
The work begins with an excerpt from William Blake’s ‘Auguries of Innocence’ spoken by children over the sound of the orchestra and leading dramatically into the first song. ‘Tiger, tiger burning bright’. A gentle setting of ‘The Lamb’ follows, then Tennyson’s ‘The Owl’, which is treated sardonically (‘warming his five wits’) and ‘The Snail’ of John Bunyan very smoothly, featuring a solo violin. ‘Rats’ are squeaky, noisy and rumbustious, but ‘The Swan’ follows with grace and peace, led by the harp. The seventh song takes a passage from the Book of Job – ‘Leviathan’. The music conjures up a picture of a giant whale, using full orchestra, chorus (and organ if available.). The eighth song summons up Lewis Carroll’s smiling crocodile of the Nile, (using conga drums),  then follows ‘The Swallow’ by Christina Rossetti, a swooping evocation of flight and sun, and ‘The Oxen’ by Thomas Hardy. A young child speaks over pizzicato strings with words again by Christina Rossetti, ‘Hurt no living thing’, the work coming to its conclusion with a triumphant recapitulation of ‘The Tiger’.